Poetic Research Bureau: Chet Wiener & Francois Luong

Thursday, May 23, 2013

Chet Wiener & Francois Luong

The Poetic Research Bureau presents...

CHET WIENER & FRANCOIS LUONG

Saturday, May 25 2013
Doors open @ 7pm, reading starts @ 7:30pm

The Poetic Research Bureau @ Telic Arts
951 Chung King Rd.
Los Angeles, CA

Chet Wiener writes poetry in English and French. He is the author of a book of poems in French, Devant l’abondance (P.O.L) and the chapbook WalkDontWalk (Potes and Poets). He has translated Félix Guattari and Pierre Alferi, among others into English, co-edited, with Stacy Doris, the collection of translations: Christophe Tarkos; Ma Langue est Poétique (Roof Books), and his poems, translations and essays on translation appear in publications in the United States and France. He lives in San Francisco.

Originally from Strasbourg, France, françois luong currently lives in San Francisco. Poems and translations can be found or are forthcoming in Aufgabe, Verse, LIT, West Wind Review, Dandelion, Mantis, and elsewhere. In 2010, he edited a segment of “Eleven Poets from Québec” for New American Writing. He has also translated the work of Esther Tellermann, François Turcot, and Rémi Froger.

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About the Bureau

The Poetic Research Bureau is a valise fiction and portable literary service in Northeast Los Angeles.

Our living room at 951 Chung King Rd in Chinatown hosts an extended community of autodidacts and guessworkers caught up in language, inquiry and the unguarded arts. Just as it is: a community free school by day, and by night, a non-professional public forum for presentations, readings, screenings and sundry intellectual exchanges.

As an out-of-pocket California milk-crate boosterist enterprise, the PRB also serves as the irregular literary umbrella for projects such as occasional poetry journal The Germ ('97-'05), edited by Andrew Maxwell and Macgregor Card; and art-lit mag Area Sneaks, edited by Rita Gonzalez and Joseph Mosconi.

As a research bloc, the Bureau attempts to cultivate composition, publication and distribution strategies that enlarge the public domain. It favors appropriations, impersonations, 'compost' poetries, belated conversations, unprintable jokes and doodles, 'unoriginal' literature, historical thefts and pastiche. The publication emphasis is on ephemeral works, short-run magazines and folios, short-lived reprints and excerpts in print-on-demand formats, and the occasional literary fetish objects of stupidly incomparable price and value.

Several reading series are hosted at 951 CKR, and we welcome writers whose work lacks the 'commercial tendency' while harboring the bright, high-minded intentions that often lead to broad panic, righteous perversions, improbable arguments, and the ill-served cul-de-sacs of genius. The series are coordinated by the aforementioned Messrs Maxwell and Mosconi. If you're sympatico, passing through town, or need a megaphone, 50 seats and a big blank space, give us a write.

contact: directors@poeticresearch.com